how to slow the frames on stop motion pro

Things that are already pretty slow, people walking, candles being blown out on a cake. All of this is subjective though-Fox Sports, for example, used nine different slow motion cameras, ranging from 360 fps to 2,000 fps to cover the 2017 World Series. Let’s take a look at what frame rates might be best for different things. If you have a Phantom Flex camera shooting 10,000 frames a second, it will take 333 seconds, or nearly six minutes, for one real-time second to pass. If you shoot video at 120 frames per second (fps) and then play it back, it will appear four times slower because it takes 4 seconds for those same 120 frames to appear when played back at 30 fps. These four missing frames cause a whole world of pain when trying to put a movie on TV. Video plays back at 30 frames a second and theatrical movies playback at 24 frames per second.

The faster your frame rate while shooting, the slower things will look when you playback. If you want more information check out this video. But let’s just pretend that they are for now. Well, they’re not always exactly the same, and it’s very complicated why they’re not. This is, largely, because playback frame rates are always the same.

Slow motion occurs when your shooting frame rate is greater than your playback frame rate, which might seem a little counterintuitive. Slow motion is a great tool in cinematography, as it creates a more impactful and emotional shot that helps tell a story. Today, inexpensive cameras will shoot 240 fps, opening up a world of possibilities-though directors still use other techniques to expand or compress time. 1987’s Panaflex Gold II, for example, could only shoot a maximum of 40 frames per second. Until recently, directors didn’t have a lot of choice in slow motion without highly specialized equipment.

How to slow the frames on stop motion pro